I have a critical yet musical ear and I’m competent in mixing FOH & Monitors for bands and acts across a variety of genres. Understanding what musicians expect and require means I can quickly provide a solid mix, particularly crucial when mixing monitors. I cut my teeth in small venues and at festivals with packed schedules and tight changeovers. I have since built up a repertoire of regular clients that trust my expertise working on theatre shows, festivals and one off events.

With experience working on large scale exhibition stands I recognise the unique challenges that are present in a noisy exhibition environment. I can work with you from the design stage to come up with an adequate system specific to your requirements. I enjoy a bespoke concept and a new challenge and am used to working with other departments to ensure the installation process is as seamless as possible.

I’ve never sold myself as a line-cruncher for musicals, because that’s not really an accomplished item of my skill set. But I’ve worked my fair share of theatre shows and pantomimes, including a lot of one nighters for bands, comedians, and previously, a lot of amateur dramatic musicals, where I’ve worked as anything from a stage manager to a flyman, to the lighting or sound operator. I understand the theatre world and the unique set of challenges it brings.